The white-painted walls are prison bars in Ousmane Sembène’s 1966 film La noire de… (Black Girl). They are adorned with African face mask ornaments—wooden trophies of post-colonialism. The promises of freedom will never be found here, and identity will be only lost. This is Diouana’s shared story. In 1966 Dakar, Senegal, Diouana (played by M’Bissine […]
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Lydia’s Film Critique: La noire de… (Black Girl) |