Dead Man’s Cell Phone looks at the human-phone relationship

Web Exclusive

Chicago playwright Sarah Ruhl’s Dead Man’s Cell Phone, playing now at Victoria’s Theatre Inconnu, fits completely into the category of “mind-bender,” which, in a nutshell, covers anything that can dramatically and rapidly cause your thought pattern to go “…eh?”

The play’s protagonist, Jean, played by Inconnu regular Melissa Blank, is one of those likeable and slightly ordinary people who seem so desperate to please that you have a feeling something deranged may be lurking under her surface. In the play, Jean is having an ordinary day, drinking coffee in an ordinary cafe, when she answers a cell phone at the next table because its owner refuses to answer it himself. That’s because the owner of the cell phone has died, she discovers, and Jean immediately ends up on a whirlwind too-late-but-that-won’t-stop-her quest to fix this man’s life, a quest which lasts the entire length of the production.

Dead Man’s Cell Phone explores how much our phones are part of our identity (photo by Clayton Jevne).

Blank is a bit of a marvel on stage—she is a master of facial expressions, whether they be comedic or distraught; she’s able to take the audience on an emotional ride simply by moving her face. Her character’s obsession with righting a dead man’s wrongs made me wonder: does she not have a life of her own?

The set of Dead Man’s Cell Phone is minimalist: it’s a series of large blocks that are moved about at the beginning of each scene. What makes this production unique is the incorporation of a silhouette puppet show—manipulated by Amira Abdel-Malek—that randomly appearson the wall, enhancing certain scenes and adding artistic whimsy that really makes the show.

The idea of a play revolving around a cell phone screams about the lack of person-to-person connection today, and how one person feeling lonely might very well adopt another person’s connections if the opportunity arose. Although the plot revolves around Jean, the audience never actually finds out anything about her. After all, she’s using a dead man’s phone, which brings up questions about how much of our identities are tied into our phones.

Dead Man’s Cell Phone is a mind-bending journey well worth travelling.

Dead Man’s Cell Phone
Various times, until Saturday, October 12
$10 student tickets
theatreinconnu.com